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Bird Calls of Amazonia

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Considering how sweaty and dehydrated I became during this film shoot, it's remarkable that Ernesto and the rest of the bird team were diligently out for long periods of time, at all hours of the day and night, to listen for the birds of the Amazon.
These assessments - recording the calls and sightings of birds - helps inform distribution and range of known species, the information used to update maps and increase our knowledge about these animals and their habitats. Check out these revised maps!:
This is a segment in a series about The Field Museum's Rapid Inventory No. 27, a journey through the forests between the rivers Tapiche and Blanco in Peru. Every year, the Museum's conservation group [the Action Center!] gathers together leading scientific experts across a number of disciplines (botany, zoology, geology, and anthropology) in order to gain an understanding of little-known areas of the rainforest. They work with local communities and their governments to help inform decisions made for conserving these unique, precious, and threatened parts of the world.
To learn more about the Rapid Inventory program, check out the other Amazon Adventures!
Read more about The Field Museum's Rapid Inventory programs:
This expedition would not have been possible without the generosity and help of Corine Vriesendorp, Nigel Pitman, Alvaro del Campo, Tyana Wachter, Ernesto Ruelas, and the rest of the Rapid Inventory team. Thank you for allowing us to join you on this journey, and for giving us the trip of a lifetime.
Special thanks to Ernesto Ruelas for taking us along on his stroll through the jungle!
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Producer, Writer, Creator, Host:
Emily Graslie
Producer, Writer, Editor, Camera:
Tom McNamara
Theme music:
Michael Aranda
Created By:
Hank Green
Production Assistant:
Katie Kirby
This week's songs are from:
Saint-Saëns - Le carnaval des animaux (The Carnival of the Animals) (1886)
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Supported by:
The Field Museum in Chicago, IL
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Filmed on location between the rivers Tapiche and Blanco in Peru.
We'd like to sing praises to our lovely transcribers and translators: Caitrin McCullough, Martina Šafusová, and Tony Chu.
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